Goddess Bendis  

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"BENDIS, LEAD ME THROUGH THE FORESTS. BENDIS, LEAD ME TO THE MYSTERIES."

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Bendis (to tie) is the Great Moon Goddess of Thrace, whre women worked the land and tended to the sheep and the cattle. The Thracians revered the forces of nature, worshipped the sun, and believed in the immortality of the soul. Their mythology included Bendis, the sacred Horsemen, Dionysus and Orpheus. Bendis is similar to Artemis and at times, has been identified with Hecate. She is the diety of hunting, the moon, and the mysteries found within the soul. She was called the Fierce Huntress of the Two Spears.

She is represented as a full-figured woman with prominent cheek bones and curly hair. She is usually pictured between two sacred animals--either two deer or a buck and a snake. She is sometimes depicted as riding a doe, a bow in her hand and a quiver of arrows on her back. She hunts in the wild mountainous landscape. Legend has it that She provided religious strength to the Thracian women's revolt in which all the men of the island were slain.

"THINK OF ALL OF THE DIFFERENT QUALITIES OF THE MOON GODDESSES AND DECIDE WHICH ONE SPEAKS TO YOU. FIND OUT ALL YOU CAN ABOUT YOUR FAVORITE MOON GODDESS AND REFLECT ON WHY SHE IS HELPFUL TO YOU. "

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Mahavidya Chinnamasta  

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Mahavidya Chinnamasta Cover
Chhinnamasta , often spelled Chinnamasta and also called Chhinnamastika and Prachanda Chandika, is one of the Mahavidyas, ten Tantric goddesses and a ferocious aspect of Devi, the Hindu Divine Mother. Chhinnamasta can be easily identified by her fearsome iconography. The self-decapitated goddess holds her own severed head in one hand, a scimitar in another. Three jets of blood spurt out of her bleeding neck and are drunk by her severed head and two attendants. Chhinnamasta is usually depicted standing on a copulating couple.

Chhinnamasta is associated with the concept of self-sacrifice as well as the awakening of the kundalini – spiritual energy. She is considered both as a symbol of self-control on sexual desire as well as an embodiment of sexual energy, depending upon interpretation. She symbolizes both aspects of Devi: a life-giver and a life-taker. Her legends emphasize her sacrifice – sometimes with a maternal element, her sexual dominance and her self-destructive fury. Though she enjoys patronage as part of the Mahavidyas, her individual temples – mostly found in Northern India and Nepal – and individual public worship is rare, due to her ferocious nature and her reputation of being dangerous to approach and worship. Her individual worship is restricted to heroic, Tantric worship by Tantrikas, yogis and world renouncers.

Chhinnamasta is recognized by both Hindus and Buddhists. She is closely related to Chinnamunda – the severed-headed form of the Tibetan Buddhist goddess Vajrayogini.

Chhinnamasta is popular in Tantric and Tibetan Buddhism, where she is called Chinnamunda ("she with a severed-head") – the severed-head form of goddess Vajrayogini or Vajravarahi – a ferocious form of the latter, who is depicted similar to Chhinnamasta.

Buddhist texts tell of the birth of the Buddhist Chinnamunda. A tale tells of Krishnacharya's disciples, two Mahasiddha sisters, Mekhala and Kankhala, who cut their heads, offered them to their guru and then danced. The goddess Vajrayogini also appeared in this form and danced with them. Another story recalls princess Lakshminkara, who was a previous incarnation of a devotee of Padmasambhava, cut off her head as a punishment from the king and roamed with it in the city, where citizens extolled her as Chinnamunda-Vajravarahi.

While she is easily identified by most Hindus and often worshipped and depicted as part of the Mahavidya group in goddess temples, Chhinnamasta is not so popular as an individual goddess. Her individual temples as well as her public worship are rare. Her individual worship is restricted to heroic, Tantric worship by Tantrikas (a type of Tantric practitioners), yogis and world renouncers. The lack of her worship is attributed by Kinsley to her ferocious nature and her reputation of being dangerous to approach and worship. Her hundred-name hymn and thousand-name hymn describe her fierce nature and wrath. The names describe her as served by ghosts and as gulping blood. She is pleased by human blood, human flesh and meat, and worshipped by body hair, flesh and fierce mantras.

Tantric practitioners worship Chhinnamasta for acquiring siddhis or supernatural powers. Chhinnamasta's mantra Srim hrim klim aim Vajravairocaniye hum hum phat svaha is to be invoked to attract and subjugate women. Another goal of her worship is to cast spells and cause harm to someone. Other goals common to worship of all mahavidyas are: poetic speech, well-being, control of one's foes, removal of obstacles, ability to sway kings, ability to attract others, conquest over other kings and finally, moksha (salvation).

The Tantric texts Tantrasara, Shakta-pramoda and Mantra-mahodadhih (1589 CE) give details about the worship of Chhinnamasta and other Mahavidyas, including her yantra, mantra and her meditative/iconographic forms (dhyanas). Tantric texts tells the worshipper to imagine a red sun orb – signifying a yoni triangle – in his own navel. In the orb, the popular form of Chhinnamasta is imagined to reside. Tantrasara cautions a householder-man to invoke the goddess only in "abstract terms". It further tells that if woman invokes Chhinnamasta by her mantra, the woman will become a dakini and lose her husband and son, thereby becoming a perfect yogini.

Shaktisamgama-tantra prescribes her worship only by the left-handed path (Vamamarga). Mantra-mahodadhih declares that such worship involves having sexual intercourse with a woman, who is not one's wife. Shakta-pramoda tells the same, adding fire offerings, wine and meat offerings at night. Some hymns narrate that she likes blood and as such, is offered blood sacrifices at some shrines. Shaktisamgama-tantra says that only brave souls (viras) should follow Vamamarga worship to the goddess. Shakta-pramoda warns that improper worship would have severe consequences: Chhinnamasta would severe the head of such a person and drink his blood. It further categorizes worship for Chhinnamasta to followed by householders and renouncers.

The Chintapurni, Himachal Pradesh temple to Chhinnamasta claims to be one of the Shakti Peeths and where the goddess Sati's forehead (mastaka) fell. Here, Chhinnamasta is interpreted as the severed-headed one as well as the foreheaded-one. A shrine dedicated to Chhinnamasta exists in Ramnagar, near Varanasi, where tantrikas worship her using corpses. There are Chhinnamasta shrines in Jharkhand (formerly Bihar) on the hill Nandan Parvat near Deoghar (Vaidyanath) and in Ranchi, along with other Mahavidyas. Her shrine is situated in the Kamakhya Temple complex, Assam, along with other Mahavidyas. A temple to Chhinnamasta is present in Vishnupur (Bishnupur), West Bengal. Chhinnamasta's shrines are also found in Nepal's Kathmandu Valley, notably near the Changu Narayan temple. The earliest of these temples is dated by Benard to the late 17th century.

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Goddess Perctha  

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THE EARLY PAGANS GREETED THE "WINTER SOLSTICE" WITH OBSERVANCES THAT BEGAN AROUND THE DECEMBER 20TH. "FRAU PERCHTA" APPEARS WHEN THE EARTH IS AT HER TURNING POINT BETWEEN THE OLD AND NEW YEAR TO COME. SHE IS IS THE TERRIFYING HAG WHO REPRESENTS THE DYING YEAR AS WELL AS THE ENCHANTING ICE MAIDEN OF THE PROMISED NEW YEAR. SHE WAS, AT FIRST, A

BENEVOLENT NATURE SPIRIT WHO WAS ALSO KNOWN AS "THE LADY OF THE BEASTS, "AND, AS SUCH, SHE WAS A GUARDIAN OF THE ANIMALS AND NATURE. SHE IS BELIEVED TO BE "FRAU HOLLE'S" COUSIN AS THEY BOTH SHARE THE TITLE AND ROLE AS THE GUARDIAN OF THE BEASTS AND COME DURING THE TWELVE DAYS BETWEEN "CHRISTMAS" AND "EPIPHANY" WHEN THEY CHECK ON THE SPINNING.

HERS WAS THE ROLE OF "THE RESTORER "- THE "KEEPER OF BALANCE". SHE IS ALSO A SHAPE-SHIFTER, WHO CAN APPEAR AS BOTH MALE AND FEMALE, BETRAYING "HER" STATUS AS THE CRONE GODDESS CAPABLE OF TRANSFORMING INTO ANIMAL FORM. SHE IS THE TASK MISTRESS WHO OVERSAW THE REALMS OF WEAVING AND SPINNING WITHIN THE LIVES OF YOUNG GIRLS, ENSURING THAT THE REQUIRED AMOUNT OF FLAX AND WOOL WERE SPUN TO QUOTA BEFORE THE YEARS END. SHE WAS UNDERSTOOD TO BE THE "GREAT GRANDMOTHER" PROTECTRESS OF THE PEOPLE, THE WISE CRONE WHO WHO WANDERS ABOUT THE COUNTRYSIDE WITH HER ENTOURAGE KNOWN AS "THE PERCHTEN", BESTOWING HER BLESSINGS ON THOSE WHO HELP HER AND TAKING VENGEANCE ON WHOSE WHO DID NOT. IN THE ALPINE REGIONS OF AUSTRIA, THESE ANCIENT BELIEFS WERE THE BASIS FOR YOUNG MEN TO DRESS UP AS EVIL SPIRITS IN AN ATTEMPT TO BANISH THOSE THAT ACCOMPANY.

THE CULT OF "PERCHTA" WAS CONDEMNED IN BAVARIA IN 1648 BECAUSE IT REQUESTED ITS FOLLOWERS TO LEAVE FOOD AND DRINK FOR FRAU PERCHTA AND HER FOLLOWERS TO LEAVE FOOD AND DRINK IN EXCHANGE OF WEALTH AND ABUNDANCE, AND BECAUSE OF THE CHURCH'S ACTION, SHE WAS GIVEN A MORE MALEVOLENT CHARACTER IN LATER AGES. YET, EVEN TODAY, MANY ANCIENT TRADITIONS ARE PRESERVED AND STILL ALIVE IN THE REMOTE REGIONS OF THE ALPS.

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Goddess Konohana  

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KONOHANA (CHILD FLOWER) IS THE JAPANESE BLOSSOM PRINCESS, THE SYMBOL OF DELICATE EARTHLY LIFE. SHE IS THE DAUGHTER OF THE EARTHLY MOUNTAIN GOD, OHOYANA. KONOHANA IS TALL, THIN, AND DRESSED IN A MAGNIFICENT FLOWER ROBE. HER HEAD IS USUALLY COVERED WITH A CROWN-LIKE HAT. SHE IS A GENTLE AND BENIGN GODDESS WITH A TOUCH OF SADNESS IN HER FACE. SPRING IS HER TIME OF THE YEAR.

AS THE LEGEND GOES, SHE MET NINIGI, THE PRINCE OF A RATHER ILLUSTRIOUS FAMILY, AT THE SEASHORE...AND THE TWO FELL MADLY IN LOVE. THE TWO WERE QUICKLY MARRIED, AND IT SEEMS THAT KONOHANA CONCEIVED A CHILD ON THEIR WEDDING NIGHT. NOW, NINIGI WAS A VERY JEALOUS MAN, AND HE ACCUSED HER OF HAVING A PRE-MARITAL AFFAIR. ANGERED BY HIS ACCUSATION, KONOHANA SWORE THAT SHE WAS INNOCENT, AND TO PROVE HER FIDELITY, SHE SHUT HERSELF UP IN A CAVE, THEN LIT A FIRE, STATING THAT, "IF SHE AND THE CHILD THAT WAS TO BE BORN EMERGE FROM THE CAVE UNSCATHED, THAT WOULD BE PROOF OF HER INNOCENCE. THIS DID HAPPEN. SHE MIRACULOUSLY GAVE BIRTH TO A SON AND THEY DID INDEED EMERGE FROM THE CAVE. THUS, HER ORDEAL OF FIRE AND SMOKE ENDED HAPPILY, AND SHE LIVED LONG ENOUGH TO BEAR HER HUSBAND ANOTHER TWO CHILDREN.

IT WAS SOMETIME BETWEEN THE 14TH AND THE 16TH CENTURY THAT THE BELIEF AROSE AMONG THE PEOPLE THAT SHE WOULD PROTECT THEM FROM THE VOLCANIC ERUPTIONS OF MOUNT FUJI JUST AS SHE HAD SAVED HER NEWBORN SON FROM ITS POWER. HENCE, SHE CAME TO OCCUPY THE POSITION OF A DIVINE FIGURE AND BECAME THE PRINCIPLE GODDESS OF MOUNT FUJI. SHE WAS REVERED BY MEN AND APPROACHED BY CHILDLESS WOMEN WHO SOUGHT HER BLESSINGS. AROUND HER FIGURE GREW ELABORATE SHAMANISTIC RITUALS AND MANY SHRINES WERE BUILT FOR HER WORSHIP.

KONOHANA BECAME A HOUSEHOLD WORD.

THEY BEGAN TO MAKE PILGRIMAGES TO THE TOP OF THE MOUNTAIN IN HER HONOR; AT FIRST, ONLY MEN WERE ALLOWED TO GO, BUT LATER WOMEN WERE ALLOWED TO JOIN THE ASCENT. AND THOSE FOLLOWERS WHO, FOR ONE REASON OR ANOTHER, CANNOT MAKE THE CLIMB, ALTALRS AE SET UP IN THEIR HOMES; CANDLES ARE LIT, AND IT IS DECORATED WITH FLOWERS AND MADE FRAGRANT WITH INCENSE, AND AT NIGHT, EACH GROUP LIGHTS A TORCH IN HER HONOR.

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