Goddess Xquic  

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XQUIC (pronounced sh-KEEK) is the Mayan Goddess of the waning moon. She is the daughter of Cuchumaquic, one of the lords of the Underworld, known as Xibalba. The lords of Xibalba had killed Hun Hunahpu, a God of maize, and hung his severed head on a calabash tree. When Xquic went to see the head, it told her to take a fruit from the tree and as she did, it spat on her hand. She then became pregnant with twin sons. When her pregnancy became obvious, she was sent into exile, because she could not name a father. Xquic went to Xmucane, the mother of Hun Hunahpu, and claimed that the babies she was carrying were of her blood. Demanding proof, Xmucane set a test for Xquic--if she could go into the nearby garden and fill a sack with corn, she would be satisfied. When Xquic went to the garden, she found only one stalk of corn, but miraculously, when she pulled kernels from the ear, they regrew, so that she had enough to fill the sack. Xmucane accepted Xquic into her family, and when her two sons were born, she named them Hunahpu and Xbalanque. Xquic's name means "blood maiden" and is also seen as IXQUIC or XQUIQ.

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Goddess Persephone  

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Persephone is the goddess of the underworld in Greek mythology. She is the daughter of Zeus and Demeter, goddess of the harvest. Persephone was such a beautiful girl that everyone loved her, even Hades wanted her for himself. When she was a little girl, she and the Oceanids were collecting flowers on the plain of Enna, when suddenly the Earth opened and Hades rose up from the gap and abducted her. None but Zeus had noticed it.

Broken-hearted, Demeter wandered the Earth, looking for her daughter until Helios, the all-seeing, revealed what had happened. Demeter was so angry that she withdrew herself in loneliness, and all fertility on Earth stopped. Finally, Zeus sent Hermes down to Hades to make him release Persephone. Hades grudgingly agreed, but before she went back he gave Persephone a pomegranate to eat, thus she would always be connected to his realm and had to stay there one-third of the year. The other months she remained with her mother. When Persephone was in Hades, Demeter refused to let anything grow and winter began. This myth is a symbol of the budding and dying of nature. In the Eleusinian mysteries, this happening was celebrated in honor of Demeter and Persephone, who was known in this cult as Kore.

The Romans called her Proserpina. The Romans first heard of her from the Aeolian and Dorian cities of Magna Graecia, who use the dialectal variant Proserpina. Hence, in Roman mythology she was called Proserpina, and as a revived Roman Proserpina she became an emblematic figure of the Renaissance.

In Greek art, Persephone/Kore is invariably portrayed robed. She may be carrying a sheaf of grain and smiling demurely with the "Archaic smile" of the Kore of Antenor.

The figure of Persephone is well-known today. Her story has great emotional power: an innocent maiden, a mother's grief at the abduction, and the return of her daughter. It is also cited frequently as a paradigm of myths that explain natural processes, with the descent and return of the goddess bringing about the change of seasons. In a text ascribed to Empedocles describing a correspondence between four gods and the classical elements, the name Nestis for water apparently refers to Persephone. "Now hear the fourfold roots of everything: Enlivining Hera, Hades, shining Zeus. And Nestis, moistening mortal springs with tears".

Of the four gods of Empedocles' elements it is the name of Persephone alone that is taboo, for the Greeks knew another face of Persephone as well. She was also the terrible Queen of the dead, whose name was not safe to speak aloud, who was named simply "The Maiden".

In The Odyssey, when Odysseus goes to the Underworld, he refers to her as the Iron Queen. Her central myth, for all of its emotional familiarity, was also the tacit context of the secret initiatory mystery rites of regeneration at Eleusis, which promised immortality to their awe-struck participants - an immortality in her world beneath the soil, feasting with the heroes beneath her dread gaze (Kerenyi 1960, 1967).

The Abduction Myth

In the Olympian pantheon, Persephone is given a father: according to Hesiod's Theogony, Persephone was the daughter produced by the union of Zeus and Demeter. "And he [Zeus] came to the bed of bountiful Demeter, who bore white-armed Persephone, stolen by Hades from her mother's side".

Unlike every other offspring of an Olympian pairing, however, Persephone has no stable position at Olympus. Persephone used to live far away from the other gods, a goddess within Nature before the days of planting seeds and nurturing plants. In the Olympian telling Citation needed, the gods Hermes, Ares, Apollon and Hephaistos, had all wooed Persephone, but Demeter rejected all their gifts and hid her daughter away from the company of the gods.

Thus, Persephone lived a peaceful life before she became the goddess of the underworld, which, according to Olympian mythographers, did not occur until Hades abducted her and brought her into the underworld.

She was innocently picking flowers with some nymphs - and Athena and Artemis, the Homeric hymn says, or Leucippe, or Oceanids - in a field in Enna when he came, bursting up through a cleft in the earth; the nymphs were changed by Demeter into the Sirens for not having interfered. Life came to a standstill as the depressed Demeter (goddess of the Earth) searched for her lost daughter. Helios, the sun, who sees everything, eventually told her what had happened.

Finally, Zeus could not put up with the dying earth and forced Hades to return Persephone. But before she was released to Hermes, who had been sent to retrieve her, Hades tricked her into eating six pomegranate seeds, which forced her to return six months out of each year. (A month for each seed she had eaten.)

In some versions, Ascalaphus informed the other gods that Persephone had eaten the pomegranate seeds. When Demeter and her daughter were together, the Earth flourished with vegetation, but for six months each year, when Persephone returned to the underworld, the earth once again became a barren realm.

In an alternate version, Hecate rescued Persephone. In the earliest version the dread goddess Persephone was herself Queen of the Underworld. This myth can also be interpreted as an allegory of ancient Greek marriage rituals. The Greeks felt that marriage was a sort of abduction of the bride by the groom from the bride's family, and this myth may have explained the origins of the marriage ritual. The more popular etiological explanation of the seasons may have been a later interpretation.

Persephone, as Queen of Hades, only showed mercy once, because the music of Orpheus was so hauntingly sad. She allowed Orpheus to bring his wife Eurydice back to the land of the living as long as she walked behind him and he never tried to look at her face until they reached the surface. Orpheus agreed but failed, looking back at the very end to make sure his wife was following, and lost Eurydice forever.

Persephone also figures in the story of Adonis, the Syrian consort of Aphrodite. When Adonis was born, Aphrodite took him under her wing, seducing him with the help of Helene, her friend, and was entranced by his unearthly beauty. She gave him to Persephone to watch over, but Persephone was also amazed at his beauty and refused to give him back. The argument between the two goddesses was settled either by Zeus or Calliope, with Adonis spending four months with Aphrodite, four months with Persephone and four months of the years with whomever he chose. He always chose Aphrodite because Persephone was the cold, unfeeling goddess of the underworld.

When Hades pursued a nymph named Mintho, Persephone turned her into a mint plant.Persephone was the object of Pirithous' affections. Pirithous and Theseus, his friend, pledged to marry daughters of Zeus. Theseus chose Helen and together they kidnapped her and decided to hold onto her until she was old enough to marry. Pirithous chose Persephone. They left Helen with Theseus' mother, Aethra, and travelled to the underworld, domain of Persephone and her husband, Hades. Hades pretended to offer them hospitality and set a feast; as soon as the pair sat down, snakes coiled around their feet and held them there.

Persephone and her mother Demeter were often referred to as aspects of the same goddess, and were called "the Demeters" or simply "the goddesses." The story of Persephone's abduction was part of the initiation rites in the Eleusinian Mysteries.

Many modern scholars have argued that Persephone's cult was a continuation of Neolithic or Minoan goddess-worship. Among classicists, this thesis has been argued by Gunther Zuntz (Zuntz 1973) and cautiously included by Walter Burkert in his definitive Greek Religion.

More daringly, the mythologist Karl Kerenyi has identified Persephone with the nameless "mistress of the labyrinth" at Knossos.

On the other hand, the hypothesis of a universal cult of the Earth Mother has come under increasing criticism in recent years. For more on both sides of the controversy, see Mother Goddess.

Life-Death-RebirthInspired by James Frazer, Jane Ellen Harrison and modern mythologers, some scholars have labeled Persephone a life-death-rebirth deity.

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Goddess Of Life Gaia  

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Who is Gaia?
Goddess of Life
Holy Symbol: Encircled Tree

Gaia is the daughter of Arawyn the all creator. Her brother is Galmachis god of death. When followers look at trees and the earth below they believe that to be the embodiment of Gaia.

Followers of Gaia believe that the earth and all living things must be preserved.

Above all things life is precious and must be treated as such. Gaia's worshipers will constantly be seen planting seeds and growing life.

Gaia's worshipers give offerings at shrines built at the base of an old tree in the woods.

These shrines are randomly found throughout the forest.

Strictures:


Gaia allows her clerics to fight with a mace or staff during times of combat.

Followers of Gaia will never willingly take the life of another and will make every attempt to save a life.

Followers should spend at least one hour of their day communing with their living surroundings.

Worshipers should leave offerings of food and flowers at Gaia's shrines.

Hesiod's Theogony (116ff) tells how, after Chaos, arose broad-breasted Gaia the everlasting foundation of the gods of Olympus. She brought forth Uranus, the starry sky, her equal, to cover her, the hills, and the fruitless deep of the Sea, Pontus, "without sweet union of love," out of her own self. But afterwards, Hesiod tells, she lay with Uranus and bore the World-Ocean Oceanus, Coeus and Crius and the Titans Hyperion and Iapetus, Theia and Rhea, Themis and Mnemosyne and Phoebe of the golden crown and lovely Tethys. "After them was born Cronos the wily, youngest and most terrible of her children, and he hated his lusty sire."

Hesiod mentions Gaia's further offspring conceived with Uranus, first the giant one-eyed Cyclopes, builders of walls, later assigned individual names: Brontes ("thunderer"), Steropes ("lightning") and the "bright" Arges: "Strength and might and craft were in their works." Then he adds the three terrible hundred-handed sons of Earth and Heaven, the Hecatonchires: Cottus and Briareos and Gyges, each with fifty heads.

Uranus hid the Hecatonchires and the Cyclopes in Tartarus so that they would not see the light, rejoicing in this evil doing. This caused pain to Gaia (Tartarus was her bowels) so she created grey flint (or adamantine) and shaped a great flint sickle, gathering together Cronus and his brothers to ask them to obey her. Only Cronos, the youngest, had the daring to take the flint sickle she made, and castrate his father as he approached Gaia to have intercourse with her. And from the drops of blood and semen, Gaia brought forth still more progeny, the strong Erinyes and the armoured Gigantes and the ash-tree Nymphs called the Meliae.

From the testicles of Uranus in the sea came forth Aphrodite. For this, a Greek etymologist urged, Uranus called his sons "Titans," meaning "strainers" for they strained and did presumptuously a fearful deed, for which vengeance would come afterwards; for, as Uranus had been deposed by his son Cronus, so was Cronus destined to be overthrown by Zeus, the son born to him by his sister-wife Rhea. In the meantime, the Titans released the Cyclopes from Tartarus, and Cronus was awarded the kingship among them, beginning a Golden Age.

After Uranus' castration, Gaia gave birth to Echidna and Typhon by Tartarus. By Pontus, Gaia birthed the sea-deities Nereus, Thaumas, Phorcys, Ceto and Eurybia.

Zeus hid Elara, one of his lovers, from Hera by hiding her under the earth. His son by Elara, the giant Tityas, is therefore sometimes said to be a son of Gaia, the earth goddess, and Elara.

Gaia also made Aristaeus immortal.

Gaia is believed by some sources (Joseph Fontenrose 1959 and others) to be the original deity behind the Oracle at Delphi. She passed her powers on to, depending on the source, Poseidon, Apollo or Themis. Apollo is the best-known as the oracle power behind Delphi, long established by the time of Homer, having killed Gaia's child Python there and usurped the chthonicpower. Hera punished Apollo for this by sending him to King Admetus as a shepherd for nine years.

Gaia in Neopaganism


Many modern Neopagans, particularly Hellenistic Neopagan sects in the United States, actively worship Gaia. Beliefs regarding Gaia vary, ranging from the common Wiccan belief that Gaia is the Earth (or in some cases the spiritual embodiment of the earth, or the Goddess of the Earth), to the broader Neopagan belief that Gaia is the goddess of all creation, a Mother Goddess from which all other gods spring. Gaia is sometimes thought to embody the planets and the Earth, and sometimes thought to embody the entire universe.

Worship of Gaia is varied, ranging from prostration to druidic ritual.Unlike Zeus, a roving nomad god of the open sky, Gaia was manifest in enclosed spaces: the house, the courtyard, the womb, the cave. Her sacred animals are the serpent, the lunar bull, the pig, and bees. In her hand the narcotic poppy may be transmuted to a pomegranate.Some who worship Gaia attempt to get closer to Mother Earth by becoming unconcerned with material things and more in tune with nature. Others who worship Gaia recognize Gaia as a great goddess and practice rituals commonly associated with other forms of worship.

Many sects worship Gaia, even more than worship Themis, Artemis, and Hera. Some common forms of worship may include prostration, attempting to reach a greater connection to the earth, shamanistic practices, tithing, praising and praying, creating inspired works of art dedicated to the goddess, burning oils and incense, rearing plants and gardens, the creation and maintaining of Sacred Groves, and burning bread or spilling drink as offerings. Other forms of worship may indeed be common, as worship of Gaia is very broad and can take many forms.

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The Gaea Thesis  

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IN order to understand the nature of the All-Mother, we must first understand our own origins. Each of began our individual life as a single, fertilized cell or zygote. In the process of its innumerable divisions and multiplications, that cell kept dividing up and redistributing the very same protoplasm. That protoplasm which now courses through all of the several trillion cells of your adult body is the very same substance which once coursed through the bosy of that original zygote. For when a cell reproduces, the mother cell does not remain intact, but actually becomes the two new daughter cells. And this is why, no matter how many times a cell fissions in the process of embryological development, all the daughter cells collectively continue to comprise but one single organism. We may imagine that, should our cells have consciousness akin to our own, they may very well fancy themselves to be independent entities living and dying in a world that to them would seem to be merely an inanimate environment. But we know them to be in fact minute components of the far vaster living beings that we ourselves are.

Over four billion years ago, life on Earth began, as do we all, with a single living cell containing a replicating molecule of DNA. From that point on that original cell, the first to develop the awesome capacity for reproduction, divided and redividied and subdivided its protoplasm into the myriads of plants and animals, including ourselves, which now inhabit this third planet from the Sun.

But no matter how many times a cell fissions in the process of embryological development, all the daughter cells collectively continue to comprise but one single organism. All life on Earth comprises the body of single vast living being -- Mother Earth Herself. The Moon is Her radiant heart, and in the tides beat the pulse of Her blood. That protoplasm which coursed through the body of that first primeval ancestral cell is the very protoplasm which now courses through every cell of every living organism, plant or animal, of our planet. And the soul of our planetary biosphere is She whom we call Goddess.

"First life on my sources
First drifted and swam
Out of me are the forces
Which save it or damn
Out of man and woman
And wild-beast and bird

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