GAEA or GE, in Greek mythology, the personification of Mother Earth, and the daughter of Chaos. She was the mother and wife of Father Heaven, who was personified as Uranus. They were the parents of the earliest living creatures, the Titans, the Cyclopes, and the Giants the Hecatoncheires (Hundred-Headed Ones). Fearing and hating the monsters, although they were his sons, Uranus imprisoned them in a secret place in the earth, leaving the Cyclopes and Titans at large. Gaea, enraged at this favoritism, persuaded her son, the Titan Cronus, to overthrow his father. He emasculated Uranus, and from his blood Gaea brought forth another race of monsters, the Giants, and the three avenging goddesses the Erinyes. Her last and most terrifying off-spring was Typhon, a 100-headed monster, who, although conquered by the god Zeus, was believed to spew forth the molten lava flows of Mount Etna.
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the Di Penates or Penates were among the dii familiares, or household deities, invoked most often in domestic rituals. When the family had a meal, they threw a bit into the fire on the hearth for the Penates. They were thus associated with Vesta, the Lares, and the Genius of the paterfamilias in the "little universe" of the domus. Like other domestic deities, the Penates had a public counterpart, the cult of the ancestral gods of the Roman people, originating in Lavinium, where they were also closely linked with Vesta. According to one strand of tradition pertaining to the public Penates, they were identified as the sacred objects rescued by Aeneas from Troy and carried by him to Italy; they, or rival duplicates, were eventually housed in the Temple of Vesta in the forum. Thus the Penates, unlike the localized Lares, are portable deities. Archaeological evidence from Lavinium shows marked Greek influence in the archaic period, and Aeneas himself was venerated there as Father Indiges. At the new year, Roman magistrates first sacrificed to Capitoline Jupiter at Rome, and then traveled to Lavinium for sacrifices to Jupiter Indiges and Vesta, and a ceremonial visit to the "Trojan" Penates. An etymological interpretation of the Penates would make them in origin tutelary deities of the storeroom, Latin penus, the innermost part of the house, where they guarded the household's food, wine, oil, and other supplies. Cicero explained that they "dwell inside, from which they are also called penetrales by the poets. The 2nd-century A.D. grammarian Festus defined penus, however, as "the most secret site in the shrine of Vesta, which is surrounded by curtains. " Macrobius reports the theological view of Varro that "those who dig out truth more diligently have said that the Penates are those through whom we breathe in our inner core (penitus), through whom we have a body, through whom we possess a rational mind. " They can also be associated with the ascendancy of a Roman family, penates being the spirits of the ancestors. Roman houses used to have a little shrine at the entrance dedicated to the goddess Vesta (goddess of the home). In this shrine little statues of the penates were kept.
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A goddess of Agriculture representing famine and death shown as Vulture. Obsidian Butterfly. Beautiful, demonic, armed with the claws of a jaguar. The female counterpart of Itzcoliuhqui. Itzpapalotl is the Obsidian or Clawed Butterfly, the Feminine Warrior. Itzpapalotl is often depicted as a skeletal being with jaguar claws and wings edged by obsidian knifes.
She is one of the Tzitzimime, the powerful and dangerous star daemons. With other female deities like the Cihuateteo, Tlaltecuhtli, Coatlicue, Citlalicue and Cihuacoatl, the Tzitzimime are protectors of midwives and women in labor.
Itzpapalotl rules over Tamoachan, the heaven where the gods created the human race. Tamoachan is the home for the victims of infant mortality. Here grows the Suckling Tree which bears 400,000 nipples. Here the children can comfortably regain strength for re-incarnation.
Itzpapalotl stands for purfication or rejuvenation by sacrifice of that what is precious. In the tonalpohualli, Itzpapalotl rules over day Tecpatl (knife) and over trecena 1-Calli (house).
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In ancient Celtic religion, Sucellus or Sucellos was the god of agriculture, forests and alcoholic drinks of the Gauls, also part of the Lusitanian mythology. Sucellus may also have been thought of as a creator god, and was particularly revered by the Arverni and the Boii.
He is usually portrayed as a middle-aged bearded man, with a long-handled hammer, or perhaps a beer barrel suspended from a pole. His wife, Nantosuelta, is sometimes depicted alongside him. When together, they are accompanied by symbols associated with prosperity and domesticity.
In this relief from Sarrebourg, near Metz, Nantosuelta, wearing a long gown, is standing to the left. In her left hand she holds a small house-shaped object with two circular holes and a peaked roof – perhaps a dovecote – on a long pole. Her right hand holds a patera which she is tipping onto a cylindrical altar.
To the right Sucellus stands, bearded, in a tunic with a cloak over his right shoulder. He holds his mallet in his right hand and an olla in his left. Above the figures is a dedicatory inscription and below them in very low relief is a bird, of a raven. This sculpture was dated by Reinach (1922, pp.217-232), from the form of the letters, to the end of the first century or start of the second century.
At least eleven inscriptions to Sucellus are known (Jufer & Luginbuhl p.63), mostly from Gaul. One (RIB II, 3/2422.21) is from York in England.
In an inscription from Augst (in antiquity, Augusta Rauricorum) Sucellus is assimilated to Silvanus (AE 1926, 00040):
- In honor(em) / d(omus) d(ivinae) deo Su/ cello Silv(ano) / Spart(us) l(ocus) d(atus) d(ecreto) d(ecurionum)
The assimilation of Sucellus to Silvanus can also be seen in artwork from Narbonensis.
In Gaulish, -cellos is interpreted as 'striker'. It is derived from Proto-Indo-European *-kel-do-s whence also come Latin per-cellere ('striker'), Greek klao ('to break') and Lithuanian kalti ('to hammer, to forge') . The prefix su- means 'good' or 'well' and is found in many Gaulish personal names. Sucellus is therefore widely glossed as 'the good striker.' The name is a systematically corresponding cognate of Early Irish sochell ('kindness') and Old Irish soichell ('liberality, generosity, open-handedness')
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Artemis-Moon Goddess
Artemis
ARTEMIS is one of the principal goddesses of Greek mythology. She was the daughter of the god Zeus and Leto and the twin sister of the god Apollo. She was chief hunter to the gods and goddess of hunting and of wild animals, especially bears. Artemis was also the goddess of childbirth, of nature, and of the harvest. As the moon goddess, she was sometimes identified with the goddess Selene and Hecate.
Although traditionally the friend and protector of youth, especially young women, Artemis prevented the Greeks from sailing to Troy during the Trojan war until they sacrificed a maiden to her. According to some accounts, just before the sacrifice, she rescued the victim, Iphigenia.
Like Apollo, Artemis was armed with a bow and arrows, which she often used to punish mortals who angered her. In other legends, she is praised for giving young women who died in childbirth a swift and painless death.
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