"MAMAN BRIGITTE" IS THE HAITIAN VOODOO GODDESS WHO PROTECTS THE GRAVES IN CEMETERIES THAT ARE MARKED WITH THE CROSS. HER MASCULINE COUNTERPART IS" GHEDE". "IN HAITI, SHE IS CONSIDERED THE MOTHER OF ALL SPIRITS WHO ENTER THIS WORLD, AND THE GRAVEYARD IS CONSIDERED HER WOMB. SHE IS THE FEMALE GUARDIAN OF GRAVES AND IS SYNCRETIZED WITH "SAINT BRIGIT."
"BRIGITTE" IS A STRONG, IMPOSING WOMAN WHO HAS BEEN DESCRIBED AS A TOUGH TALKING, FOUL-MOUTHED WOMAN WHO DRINKS RUM LACED WITH HOT PEPPERS AND DANCES IN A SEXUALLY SUGGESTIVE MANNER. SHE IS OFTEN SEEN IN THE COMPANY OF A BLACK ROOSTER. HER SYMBOLS INCLUDE A CEREMONIAL CROSS AND SCALES, WHICH REPRESENT HER SENSE OF JUSTICE. IT IS SAID THAT THE FIRST WOMAN BURIED IN A CEMETERY IS DEDICATED TO "MAMAN BRIGETTE. "
HER OFFERINGS INCLUDE: CIGARETTES, BLACK COFFEE, WHITE BREAD AND RUM SPICED WITH HOT PEPPERS. HER COLORS ARE BLACK AND PURPLE. HER SPECIAL DAY IS THURSDAY.
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Dedun (or Dedwen) was a Nubian god worshipped during ancient times in that part of Africa and attested as early as 2400 BC. There is much uncertainty about his original nature, especially since he was depicted as a lion, a role which usually was assigned to the son of another deity. Nothing is known of the earlier Nubian mythology from which this deity arose, however. The earliest known information in Egyptian writings about Dedun indicates that he already had become a god of incense by the time of the writings. Since at this historical point, incense was an extremely expensive luxury commodity and Nubia was the source of much of it, he was quite an important deity. The wealth that the trade in incense delivered to Nubia led to his being identified by them as the god of prosperity, and of wealth in particular. He is said to have been associated with a fire that threatened to destroy the other deities, however, leading many Nubiologists to speculate that there may have been a great fire at a shared complex of temples to different deities, that started in a temple of Dedun, although there are no candidate events known for this. Although mentioned in the pyramid texts of Ancient Egypt as being a Nubian deity, there is no evidence that Dedun was worshipped by the Egyptians, nor that he was worshipped in any location north of Swenet (contemporary Aswan), which was considered the most southerly city of Ancient Egypt. Nevertheless, in the Middle Kingdom of Egypt, during the Egyptian rule over Kush, Dedun was said by the Egyptians to be the protector of deceased Nubian rulers and their god of incense, thereby associated with funerary rites.
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The howler monkey god was a major deity of the arts - including music - and a patron of the artisans among the Classic Mayas, especially of the scribes and sculptors. As such, his sphere of influence overlapped with that of the Tonsured Maize God. The monkey patrons - there are often two of them - have been depicted on Classic vases in the act of writing books (while stereotypically holding an ink nap) and carving human heads. Together, these two activities may have constituted a metaphor for the creation of mankind, with the book containing the birth signs and the head the life principle or 'soul', an interpretation reinforced by the craftsman titles of the creator gods in the Popol Vuh.
Based on its facial features, the stone sculpture of a seated writer found within the House of the Scribes in Copan is often described as a howler monkey. However, it are the two large statues of simian figures shaking rattles (see fig. ), found on both sides of the 'Reviewing Stand' of Copan's temple 11, that approach much more closely the standard representation of this animal in Maya art and in Long Count inscriptions (including the snakes in the corners of the mouth). Variously described as wind gods and comedians, these statues may actually represent howler monkeys in their quality of musicians. A ceramic incense burner modelled like a howler monkey scribe has been found at Post-classic Mayapan. At the time of the Spanish Invasions, the howler monkeys continued to be venerated, although the role they played in mythological narratives diverged. Bartolom'e de las Casas stated that in the Alta Verapaz, Hun-Ahan (probably 'One-Woodcarver') and Hun-Cheven (Hun-Chowen in the Popol Vuh) were counted among the thirteen sons of the upper god, and were celebrated as cosmogonic creator deities.
Among the Quich'e Mayas, they were less positively valued: According to the Popol Vuh, Hun-Chowen and Hun-Batz 'One-Howler Monkey' (both artists and musicians) clashed with their stepbrothers, the Maya Hero Twins, a conflict which led to their humiliating transformation into monkeys. In the mantic calendar, Howler Monkey (Batz), corresponding to Spider Monkey (Ozomatli) in the Aztec system, denotes the 11th day, which is associated with the arts. In the Long Count, the Howler Monkey can personify the day-unit, which connects him to the priestly arts of calendrical reckoning and divination, as well as to ritualistic and historical knowledge.
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The Morrigan is a Celtic goddess of battle, strife, and fertility. Her name translates as either "Great Queen" or "Phantom Queen," and both epithets are entirely appropriate for her. The Morrigan appears as both a single goddess and a trio of goddesses.
The Morrigan frequently appears in the ornithological guise of a hooded crow. She is one of the Tuatha D'e Danann ("Tribe of the goddess Danu" or the land of the Faries) and she helped defeat the Firbolg at the First Battle of Mag Tuireadh and the Fomorians at the Second Battle of Mag Tuireadh. She is often read about in books that are about the Fae.
She appeared to the hero Cu Chulainn (son of the god Lugh) and offered her love to him. When he failed to recognize her and rejected her, she told him that she would hinder him when he was in battle. When Cu Chulainn was eventually killed, she settled on his shoulder in the form of a crow. Cu's misfortune was that he never recognized the feminine power of sovereignty that she offered to him.
She appeared to him on at least four occasions and each time he failed to recognize her.
* When she appeared to him and declared her love for him.
* After he had wounded her, she appeared to him as an old hag and he offered his blessings to her, which caused her to be healed.
* On his way to his final battle, he saw the Washer at the Ford, who declared that she was washing the clothes and arms of Cu Chulainn, who would soon be dead.
* When he was forced by three hags (the Morrigan in her triple aspect) to break a taboo of eating dogflesh"
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