NISABA is the Sumerian Goddess of writing, accounting, and grain. She is the daughter of An and Urash, and sister of Ninsun. With her husband Haya, God of storehouses, she is the mother of the Goddess Sud, whose name was changed to Ninlil when she married Enlil, God of the air. Nisaba keeps the records of the Gods, and as the divine scribe she was especially worshipped by Sumerian scribes. She is depicted with long flowing hair, and her tiara features a crescent moon and ears of corn, since she was also associated with the harvest. Nisaba's name means "lady of the grain rations," which explains her combined roles as Goddess of grain and of accounting, and is also seen as NISSABA, NIDABA, NANIBGAL, and NUNBARSHEGUNU (lady whose body is dappled barley).
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"BENSAI-TAN "(BENTEN) IS THE JAPANESE GODDESS OF LOVE, LUCK, EDUCATION, WISDOM, AND WATER...ALL KINDS OF WATER. SHE IS THE RULER OF MUSIC AND THE ARTS. AS A WATER GODDESS, BENSAI-TAN IS KNOWN AS THE PURIFYING FORCE THAT PROTECTS PEOPLE AND PLACES FROM THE DARKNESS OF THE MATERIAL WORLD. SHE CAN PROTECT US FROM NATURAL DISASTERS. HER VIRTUES HAPPINESS, PROSPERITY, AND LONGEVITY. ORIGINALLY THE GODDESS OF THE SEA, SHE IS THE SOLE FEMALE AMONG THE SEVEN LUCKY GODS OF JAPAN WHO CAME ON A BOAT FROM CHINA.
BENSAI-TAN INSPIRES EACH OF US TO USE OUR TALENTS WISELY AND TO OUR HIGHEST CAPABILITIES. SHE IS THE PATRONESS OF GEISHAS, DANCERS, AND MUSICIANS. SHE IS USUALLY DEPICTED AS A BEAUTIFUL WOMAN WITH EIGHT ARMS WHO PLAYS A STRINGED INSTRUMENT WHILE RIDING ON A DRAGON. IN HER HANDS, SHE HOLDS A SWORD, A JEWEL, A BOW, AN ARROW, A WHEEL AND A KEY. HER REMAINING TWO HANDS ARE JOINED AS IF IN PRAYER. HER EIGHT ARMS HINT THAT SHE WAS OF HINDU ORIGIN, AND INDEED, MANY SAY SHE WAS SARASWATI.
THERE IS AN OLD TALE WHICH TELLS OF A TIME THAT A DRAGON DEVOURED MANY OF THE CHILDREN OF THE EARTH, AND BENSAI-TAN DESCENDED TO STOP HIS EVIL WORK. BECAUSE OF THIS, SHE IS OFTEN DEPICTED AS A DRAGON IN ART. LEGEND HAS IT THAT SHE WAS PICKED UP AT SEA BY A GROUP OF FISHERMAN AND BROUGHT TO JAPAN IN THE HOPES THAT SHE WOULD BRING GOOD AND SAFE FISHING. HER MESSENGER IS A SNAKE AND JAPANESE WOMEN OFTEN CARRY CHARMS IN HER LIKENESS TO ENCOURAGE BOTH BEAUTY AND ACCOMPLISHMENT.
HER TEMPLES AND SHRINES ARE ALMOST INVARIABLY IN THE NEIGHBORHOOD OF WATER-- THE SEA, A RIVER, OR A POND. HER FESTIVAL IS CELEBRATED AT SUMMER SOLSTICE IN THE MANY OF HER SHRINES WHICH REMAIN STANDING IN JAPAN.
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Tengri controlled Thunder and Lightning, who punished malicious forces. Thunder was the angry voice of Tengri and lightning his heavenly arrows, which struck malicious spirits. A house struck by lightning was believed to have deserved Tengri’s anger and was not extinguished until it had completely burned down. Nobody would come near it and no new house was built there, for it was believed that it would not sustain happiness. The beliefs of the ancient Turks prohibited the use of trees struck by a lightning, not only for construction, but also as fuel. However, splinters from such a tree were used as medicines and the sick fumigated with coals from it. The Turks noticed that lightning did not strike sacred birches, because they had links to the Sky. A man killed by lightning was considered ‘sacred’. Sacrifices were offered to spirits, in places struck by lightning.
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KIPU-TYTT"o is the Finnish Goddess of illness. She is the daughter of Tuonetar and Tuoni, Goddess and God of the underworld, and sister of Loviatar, Goddess of plagues. Kipu-tytt"o sits on a rock at the spot where three rivers meet in the underworld, and all of mankind's diseases live below. She slowly turns the rock, releasing them one at a time. She is depicted as a young woman with a pockmarked face, and she sings as she sits on her rock, luring the ill with her song. Kipu-tytt"o's name means "pain girl."
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