Elohim is a plural formation of eloah, the latter being an expanded form of the Northwest Semitic noun il. It is the usual word for "god" in the Hebrew Bible, referring with singular verbs both to the one God of Israel, and also in a few examples to other singular pagan deities. With plural verbs the word is also used as a true plural with the meaning "gods". The singular forms eloah and el are used as proper names or as generics, in which case they are interchangeable with elohim. The notion of divinity underwent radical changes throughout the period of early Israelite identity. The ambiguity of the term Elohim is the result of such changes, cast in terms of "vertical translatability" by Smith (2008); i.e. the re-interpretation of the gods of the earliest recalled period as the national god of the monolatrism as it emerged in the 7th to 6th century BC in the Kingdom of Judah and during the Babylonian captivity, and further in terms of monotheism by the emergence of Rabbinical Judaism in the 2nd century AD. In Hebrew the form of the word Elohim, with the ending -im, which normally indicates a masculine plural, however with Elohim the construction is usually grammatically singular, (i.e. it governs a singular verb or adjective) when referring to the Hebrew God, but grammatically plural (i.e. taking a plural verb or adjective) when used of pagan divinities.
Elohim occurs frequently throughout the received text of the Torah. In some cases (e.g. Exodus 3:4, "... Elohim called unto him out of the midst of the bush..."), it acts as a singular noun in Hebrew grammar, and is then generally understood to denote the single God of Israel. In other cases, Elohim acts as an ordinary plural of the word Eloah, and refers to the polytheistic notion of multiple gods (for example, Exodus 20:3, "Thou shalt have no other gods before me.").
The choice of word or words for God varies in the Hebrew Bible. According to the documentary hypothesis these variations are evidence of different source texts: Elohim is used as the name of God in the Elohist and the Priestly source, while Yahweh is used in the Jahwist source. The difference in names results from the theological point being made in the Elohist and Priestly sources that God did not reveal his name, Yahweh, to any man before the time of Moses.
While the Jahwist presented an anthropomorphic God who could walk through the Garden of Eden looking for Adam and Eve, the Elohist frequently involves angels. For example, it is the Elohist version of the tale of Jacob's ladder in which there is a ladder of angels with God at the top, whereas in the Jahwist tale, it is just a dream in which God is simply above the location, without the ladder or angels. Likewise, the Elohist describes Jacob actually wrestling with God.
The classical documentary hypothesis as developed in the late 19th century assumed that the Elohist portions of the Torah were composed in the 9th century BCE (i.e. during the early period of the Kingdom of Judah). This is far from universally accepted today, as there is evidence of a later "Elohist redaction" (post-exilic) during the 5th century BCE which makes it difficult to determine whether a given passage is "Elohist" in origin, or only as a result of late redaction.
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ATHENA, also known as Pallas Athena, one of the most important goddesses in Greek mythology. Athena sprang fullgrown and armored from the forehead of the god Zeus and was his favorite child. He entrusted her with his shield, adorned with the hideous head of Medusa the Gorgon, his buckler, and his principal weapon, the thunderbolt. A virgin goddess, she was called Parthenos ("the maiden").
Her major temple, the Parthenon, was in Athens, which, according to legend, became hers as a result of her gift of the olive tree to the Athenian people. Athena was primarily the goddess of the Greek cities, of industry and the arts, and, in later mythology, of wisdom; she was also goddess of war.
So Zeus swallowed Metis. In time he was overcome with a splitting headache and summoned help from the craftsman god Hephaestus (or, some say, the Titan Prometheus). Hephaestus cleaved Zeus's forehead with an ax, and Athena sprang forth fully armed.
The poet Hesiod tells the story to account for Zeus's great wisdom, since he can be said to have literally incorporated Metis. One can also read into the myth wishful thinking on the part of the mythmakers who replaced the worship of the Great Goddess, mother of all growing things, for that of the male sky-god Zeus. Zeus gave birth to Athena himself, as if to say, Who needs a woman in order to bring forth new life?
Athena aided the heroes Perseus, Jason, Cadmus, Odysseus and Heracles in their quests.
Both Athena and Poseidon wanted to be patron deity of Athens. To prove her worthiness for the honor, Athena caused an olive tree to spring up on the citadel of Athens, the Acropolis. Poseidon sought to outdo her by striking the ground with his trident and causing a spring of water to gush forth. But as he was god of the sea, the water was salty. Athena's gift to the Athenians was considered to be more useful, so she became the city's patron deity.
Athena sponsored Perseus in his quest to slay Medusa because she wanted the Gorgon's head to decorate her shield.
Athena was also a patron of the agricultural arts and of the crafts of women, especially spinning and weaving. Among her gifts to man were the inventions of the plow and the flute and the arts of taming animals, building ships, and making shoes. She was often associated with birds, especially the owl.
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is the Japanese kami of fertility, rice, agriculture, foxes, industry and worldly success and one of the principal kami of Shinto. Represented as male, female, or androgynous, Inari is sometimes seen as a collective of three or five individual kami. Inari appears to have been worshipped since the founding of a shrine at Inari Mountain in 711 A.D., although some scholars believe that worship started in the late 5th century. Worship of Inari spread across Japan in the Edo period, and by the 16th century Inari had become the patron of blacksmiths and the protector of warriors. Inari is a popular figure in both Shinto and Buddhist beliefs in Japan. More than one-third (32,000)of Shinto shrines in Japan are dedicate to Inari. Modern corporations, such as cosmetic company Shiseido, continue to revere Inari as a patron kami, with shrines atop their corporate headquarters. Inari's foxes, or kitsune, are pure white and act as his/her messengers.
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