Kagutsuchi Aka Homosubi

Posted by Unknown

This is one fire god to never cross. When he was born his flames were so strong he burned his mother, the first human woman to death. She may even have been a goddess in a sense so that makes him even more potent. Although his father decapitated him in a blind rage, the fire baby lived. He can easily get out of control just like his element and bring death to both requests and humans. Despite this he is essential as the death brought by fire makes way for new life to grow.

Egyptian Gods And Goddesses

Posted by Unknown

Amen

(Amon, Amun, Ammon, Amoun)

Amen's name means "The Hidden One." Amen was the patron deity of the city of Thebes from earliest times, and was viewed (along with his consort Amenet) as a primordial creation-deity by the priests of Hermopolis. His sacred animals were the goose and the ram.

Up to the Middle Kingdom Amen was merely a local god in Thebes; but when the Thebans had established their sovereignty in Egypt, Amen became a prominent deity, and by Dynasty XVIII was termed the King of the Gods. His famous temple, Karnak, is the largest religious structure ever built by man. According to Budge, Amen by Dynasty XIX-XX was thought of as "an invisible creative power which was the source of all life in heaven, and on the earth, and in the great deep, and in the Underworld, and which made itself manifest under the form of Ra." Addition-lly, Amen appears to have been the protector of any pious devotee in need.

Amen was self-created, according to later traditions; according to the older Theban traditions, Amen was created by Thoth as one of the eight primordial deities of creation (Amen, Amenet, Heq, Heqet, Nun, Naunet, Kau, Kauket).

During the New Kingdom, Amen's consort was Mut, "Mother," who seems to have been the Egyptian equivalent of the "Great Mother" archetype. The two thus formed a pair reminiscent of the God and Goddess of other traditions such as Wicca. Their child was the moon god Khons.

See also Amen-Ra, Khons, Mut, Thoth.

Amen-Ra

(Amon-Re)

A composite deity, devised by the priests of Amen as an attempt to link New King- dom (Dyn. XVIII-XXI) worship of Amen with the older solar cult of the god Ra. In a union of this sort, the deities are said to indwell one another - so we have the power represented by Amen manifesting through the person of Ra (or vice versa). This sort of relationship is common among Egyptian gods, particularly among cosmic or national deities. It is an example of how the Egyptian gods are viewed, as Morenz puts it, of having "personality but not individuality."

See also Amen, Ra.

Amset

(Imsety, Mestha; Golden Dawn, Ameshet)

One of the Four Sons of Horus, Amset was represented as a mummified man. He was the protector of the liver of the deceased, and was protected by the goddess Isis.

See also Four Sons of Horus, Isis.

Anubis

(Anpu; Golden Dawn, Ano-Oobist)

Anubis (Greek, from Egyptian Anpu) was the son of Nephthys: by some traditions, the father was Set; by others, Osiris. (And by still other traditions his mother was Isis.) Anubis was depicted as a jackal, or as a jackal-headed man;
in primitive times he was probably simply the jackal god.

Owing perhaps to the jackal's tendency to prowl around tombs, he became assoc- iated with the dead, and by the Old Kingdom, Anubis was worshipped as the inventor of embalming, who had embalmed the dead Osiris, thus helping preserve him in order to live again. His task became to glorify and preserve all the dead.

Anubis was also worshipped under the form Upuaut ("Opener of the Ways"),
sometimes with a rabbit's head, who conducted the souls of the dead to their judgement, and who monitored the Scales of Truth to protect the dead from the second death in the underworld.

See also Nephthys, Osiris, Set.

Anuket

In Upper Egypt, around Elephantine, Anuket was worshipped as the companion (generally the daughter) of Khnum and Sati. Her sacred animal was the gazelle.
She was believed to be the dispenser of cool water, and wore a feathered crown on her human head.

See also Khnum, Sati.

Apis

An early deity, probably the best known Egyptian deity represented only as an animal, and never as a human with an animal's head. Apis was most closely linked with Ptah, and his cult center was Memphis. He was primarily a deity of fertility. He was represented as a bull crowned with the solar disk and uraeus- serpent. A sacred Apis bull was kept in Memphis, and there is a great mass burial of Apis bulls, the Serapeum, located there.

See also Ptah.

Aten

(Aton)

The sun itself, recognized first in the Middle Kingdom, and later becoming an aspect of the sun god. In the reign of Amenhotep IV during Dynasty XVIII, Aten was depicted as a disk with rays, each ray terminating in a human hand and bestowing symbols of "life" upon those below. Aten was declared the only true deity during this period, but the worship of Amen and the other deities was restored by Amenhotep IV's successor Tutankhamen. Morenz believes the name
"Aten" was pronounced something like "Yati" during the height of its cult.

Atum

A primordial creator god, worshipped as the head of the Heliopolitan family of gods. Father of Shu and Tefnut, and in later times believed to be one with the sun god Ra.

See also Ra.

Bast

(Bastet)

A cat-goddess, worshiped in the Delta city of Bubastis. A protectress of cats and those who cared for cats. As a result, an important deity in the home (since cats were prized pets) and also important in the iconography (since the serpents which attack the sun god were usually represented in papyri as being killed by cats).

She was viewed as the beneficent side of the lioness-goddess Sekhmet. See also Sekhmet.

Bes

A deity of either African or Semitic origin; came to Egypt by Dynasty XII.
Depicted as a bearded, savage-looking yet comical dwarf, shown full-face in images (highly unusual by Egyptian artistic conventions). Revered as a deity of household pleasures such as music, good food, and relaxation. Also a protector and entertainer of children.

Duamutef

(Tuamutef; Golden Dawn, Thmoomathph)

One of the Four Sons of Horus, Duamutef was represented as a mummified man with the head of a jackal. He was the protector of the stomach of the deceased, and was protected by the goddess Neith.

See also Four Sons of Horus, Neith.

Edjo

A serpent goddess of the Delta, a symbol and protrectress of Lower Egypt, the counterpart of Nekhbet in Upper Egypt, worn as part of the king's crown.

See also Nekhbet.

Four Sons of Horus

The four sons of Horus were the protectors of the parts of the body of Osiris, and from this, became the protectors of the body of the deceased. They were: Amset, Hapi, Duamutef, and Qebhsenuef. They were protected in turn by the goddesses Isis, Nephthys, Neith, and Selket. See also Amset, Duamutef, Hapi, Qebehsenuf.

Geb

(Seb)

The god of the earth, son of Shu and Tefnut, brother and husband of Nut, and father of Osiris, Set, Isis, and Nephthys. Sacred animal and symbol was the goose. He is generally represented as a man with green or black skin - the color of living things, and the color of the fertile Nile mud, respectively. It was said that Geb would hold imprisoned the souls of the wicked, that they might not ascend to heaven. Note Geb is masculine, contrasting with many other traditions of Earth being female.

See also Nut.

Hadit

See Horus of Behedet.

Hapi

(Golden Dawn, Ahephi)

One of the Four Sons of Horus, Hapi was represented as a mummified man with the head of a baboon. He was the protector of the lungs of the deceased, and was protected by the goddess Nephthys.

The name Hapi, spelled with different hieroglyphs, in most but not all cases, is also the name of the god who was the personification of the River Nile, depicted as a corpulent man (fat signifying abundance) with a crown of lilies (Upper Nile) or papyrus plants (Lower Nile).

See also Four Sons of Horus, Nephthys.

Hathor

(Het-heru, Het-Hert)

A very old goddess of Egypt, worshiped as a cow-deity from earliest times. The name "Hathor" is the Greek corruption of the variants Het-Hert ("the House Above") and Het-Heru ("the House of Horus"). Both terms refer to her as a sky goddess. She was frequently equated with Isis. She was worshipped at Edfu as the consort of Horus. At Thebes, she was considered the goddess of the dead.
She was also the patron of love, dance, alcohol, and foreign lands.

See also Isis.

Harpocrates

(Hor-pa-kraat; Golden Dawn, Hoor-par-kraat)

"Horus the Child", the son of Isis and Osiris as a little suckling child, distinguished from Horus the Elder, who was the patron deity of Upper Egypt.
Represented as a young boy with a child's sidelock of hair, sucking his finger.
The Golden Dawn attributed Silence to him, presumably because the sucking of the finger is suggestive of the common "shhh" gesture. See also Horus.

Heqet

A primordial goddess with the head of a frog, worshipped as one of the Eight Gods at Hermopolis, and seen as the consort of Khnum at Antinoe.

See also Khnum.

Heru-ra-ha

A composite deity in Crowley's quasi-Egyptian mythology; composed of Ra-Hoor- Khuit and Hoor-par-kraat. The name, translated into Egyptian, means something approximating "Horus and Ra be Praised!" Of course, this could simply be another corruption due to the inferior Victorian understanding of the Egyptian language, and it is possible Crowley had something entirely different in mind for the translation of the name.

See also Ra-Horakhty, Harpocrates.

Horus

(Hor)

One of the most important deities of Egypt. As the Child, Horus is the son of Osiris and Isis, who, upon reaching adulthood, avenges his father's death, by defeating and castrating his evil uncle Set. He then became the divine prototype of the Pharaoh.

As Heru-Ur, "Horus the Elder", he was the patron deity of Upper (Southern) Egypt from the earliest times; initially, viewed as the twin brother of Set (the patron of Lower Egypt), but he became the conqueror of Set c. 3100 B.C.E. when Upper Egypt conquered Lower Egypt and formed the unified kingdom of Egypt.

See also Isis, Osiris, Set.

Horus of Behedet

(Hadit)

A form of Horus worshipped in the city of Behdet, shown in the well-known form of a solar disk with a great pair of wings, usually seen hovering above important scenes in Egyptian religious art. Made popular by Aleister Crowley under the poorly transliterated name "Hadit", the god appears to have been a way of depicting the omnipresence of Horus. As Crowley says in Magick in Theory and Practice, "the infinitely small and atomic yet omnipresent point is called HADIT."

See also Horus.

Imhotep

(Imouthis)

Imhotep was the architect, physician, scribe, and grand vizier of the IIIrd Dynasty pharaoh Zoser. It was Imhotep who conceived and built the Step Pyramid at Sakkara. In the Late Period, Imhotep was worshipped as the son of Ptah and a god of medicine, as well as the patron (with Thoth) of scribes. The Greeks considered him to be Asklepios.

See also Ptah, Thoth.

Isis

(Auset)

Perhaps the most important goddess of all Egyptian mythology, Isis assumed, during the course of Egyptian history, the attributes and functions of virtually every other important goddess in the land. Her most important functions, however, were those of motherhood, marital devotion, healing the sick, and the working of magical spells and charms. She was believed to be the most powerful magician in the universe, owing to the fact that she had learned the Secret Name of Ra from the god himself. She was the sister and wife of Osiris, sister of Set, and twin sister of Nephthys. She was the mother of Horus the Child (Harpocrates), and was the protective goddess of Horus's son Amset, protector of the liver of the deceased.

Isis was responsible for protecting Horus from Set during his infancy; for helping Osiris to return to life; and for assisting her husband to rule in the land of the Dead.

Her cult seems to have originally centered, like her husband's, at Abydos near the Delta in the North (Lower Egypt); she was adopted into the family of Ra early in Egyptian history by the priests of Heliopolis, but from the New Kingdom onwards (c. 1500 BC) her worship no longer had any particular identifiable center, and she became more or less universally worshiped, as her husband was.

See also Horus, Osiris.

Khepri

(Keper)

The creator-god, according to early Heliopolitan cosmology; assimilated with Atum and Ra. The Egyptian root "kheper" signifies several things, according to context, most notably the verb "to create" or "to transform", and also the word for "scarab beetle". The scarab, or dung beetle, was considered symbolic of the sun since it rolled a ball of dung in which it laid its eggs around with it - this was considered symbolic of the sun god propelling the sphere of the sun through the sky.

See also Ra.

Khnum

Appearing as a ram-headed human, Khnum was worshipped most at Antinoe and Elephantine. He was another creator-god, represented as fashioning human beings on his pottery wheel. His consort was variously Heqet, Neith, or Sati.

See also Sati.

Khons

(Chons)

The third member (with his parents Amen and Mut) of the great triad of Thebes.
Khons was the god of the moon. The best-known story about him tells of him playing the ancient game senet ("passage") against Thoth, and wagering a portion of his light. Thoth won, and because of losing some of his light, Khons cannot show his whole glory for the entire month, but must wax and wane. The main temple in the enclosure at Karnak is dedicated to him.

See also Amen, Mut, Thoth.

Maat

Considered the wife of Thoth and the daughter of Ra by various traditions, Maat's name implies "truth" and "justice" and even "cosmic order", but there is no clear English equivalent. She is an anthropomorphic personification of the concept Maat and as such has little mythology. Maat was represented as a tall woman with an ostrich feather (the glyph for her name) in her hair. She was present at the judgement of the dead; her feather was balanced against the heart of the deceased to determine whether he had led a pure and honest life.

See also Thoth.

Min

(Menu, Amsu)

A form of Amen depicted holding a flail (thought to represent a thunderbolt in Egyptian art) and with an erect penis; his full name was often given as Menu-ka- mut-f ("Min, Bull of his Mother"). Min was worshiped as the god of virility;
lettuces were offered as sacrifice to him and then eaten in hopes of procuring manhood; and he was worshiped as the husband of the goddess Qetesh, goddess of love and femininity.

See also Amen, Qetesh.

Month

(Mentu, Men Thu)

The principal god of Thebes before the rise of the Amen cult; appeared as a falcon-headed man and often united with Horus. Primarily a war god.

Mut

(Golden Dawn, Auramooth)

The wife of Amen in Theban tradition; the word mut in Egyptian means "mother",
and she was the mother of Khonsu, the moon god.

See also Amen, Khons.

Nefertum

The youthful son of Ptah and Sekhmet, connected with the rising sun; depicted as a youth crowned with or seated upon a lotus blossom.

See also Ptah.

Neith

(Net, Neit; Golden Dawn, Thoum-aesh-neith)

A very ancient goddess of war, worshiped in the Delta; revered as a goddess of wisdom, identified with Athena by the Greeks; in later traditions, the sister of Isis, Nephthys, and Selket, and protectress of Duamutef, the god of the stomach of the deceased. Mother of the crocodile god Sobek.

See also Sobek.

Nekhbet

Upper Egyptian patron goddess, represented as a vulture in iconography, and often part of the crown of the pharaoh, along with her Lower Egyptian counterpart Edjo.

See also Edjo.

Nephthys

(Nebt-het)

The youngest child of Geb and Nut. The sister and wife of Set, and sister of Isis and Osiris; also the mother (variantly by Set or by Osiris) of Anubis. She abandoned Set when he killed Osiris, and assisted Isis in the care of Horus and the resurrection of Osiris. She was, along with her sister, considered the special protectress of the dead, and she was the guardian of Hapi, the protector of the lungs of the deceased. See also Isis, Osiris, Set.

Nut

(Nuit)

The goddess of the sky, daughter of Shu and Tefnut, sister and wife of Geb, mother of Osiris, Set, Isis, and Nephthys. Described by Crowley in his Magick in Theory and Practice thus: "Infinite space is called the goddess NUIT."

Nut was generally depicted as a woman with blue skin, and her body covered with stars, standing on all fours, leaning over her husband, representing the sky arched over the earth.

Her relationship to Hadit is an invention of Crowley's with no basis in Egyptology, save only that Hadit was often depicted underneath Nut - one finds Nut forming the upper frame of a scene, and the winged disk Hadit floating beneath, silently as always. This is an artistic convention, and there was no marriage between the two in Egyptian myth.

See also Geb, Shu.

Osiris

(Ausar)

The god of the dead, and the god of the resurrection into eternal life; ruler, protector, and judge of the deceased, and his prototype (the deceased was in historical times usually referred to as "the Osiris"). His cult originated in Abydos, where his actual tomb was said to be located.

Osiris was the first child of Nut and Geb, thus the brother of Set, Nephthys, and Isis, who was also his wife. By Isis he fathered Horus, and according to some stories, Nephthys assumed the form of Isis, seduced him thus, and from their union was born Anubis.

Osiris ruled the world of men in the beginning, after Ra had abandoned the world to rule the skies, but he was murdered by his brother Set. Through the magic of Isis, he was made to live again. Being the first living thing to die, he subsequently became lord of the dead. His death was avenged by his son Horus, who defeated Set and cast him out into the desert to the West of Egypt (the Sahara).

Prayers and spells were addressed to Osiris throughout Egyptian history, in hopes of securing his blessing and entering the afterlife which he ruled; but his popularity steadily increased through the Middle Kingdom. By Dynasty XVIII he was probably the most widely worshipped god in Egypt. His popularity endured until the latest phases of Egyptian history; relief's still exist of Roman emperors, conquerors of Egypt, dressed in the traditional garb of the Pharaohs, making offerings to him in the temples.

See also Anubis, Horus, Isis, Nephthys, Set.

Pharaoh

(deified kings)

From earliest times in Egypt the pharaohs were worshipped as gods: the son of Ra, the son of Horus, the son of Amen, etc. depending upon what period of Egyptian history and what part of the country is being considered. It should be noted that prayers, sacrifices, etc. to the pharaohs were extremely rare, if they occurred at all - there seems to be little or no evidence to support an actual cult of the pharaoh. The pharaoh was looked upon as being chosen by and favored by the gods, his fathers.

Ptah

Worshipped in Memphis from the earliest dynastic times (c.3100 BC), Ptah was seen as the creator of the universe in the Memphite cosmology. He fashioned the bodies in which dwelt the souls of men in the afterlife. Other versions of the myths state that he worked under Thoth's orders, creating the heavens and the earth according to Thoth's specifications.

Ptah is depicted as a bearded man wearing a skullcap, shrouded much like a mummy, with his hands emerging from the wrappings in front and holding the Uas (phoenix-headed) scepter, an Ankh, and a Djed (sign of stability). He was often worshipped in conjunction with the gods Seker and Osiris, and worshipped under the name Ptah-seker-ausar.

He was said to be the husband of Sekhmet and the father of Nefertum (and later Imhotep).

Qebehsenuf

(Kabexnuf, Qebsneuef)

One of the Four Sons of Horus, Qebhsenuef was represented as a mummified man with the head of a falcon. He was the protector of the intestines of the deceased, and was protected by the goddess Selket.

See also Four Sons of Horus, Selket.

Qetesh

Originally believed to be a Syrian deity, Qetesh was a goddess of love and beauty. Qetesh was depicted as a beautiful nude woman, standing or riding upon a lion, holding flowers, a mirror, or serpents. She is generally shown full- face (unusual in Egyptian artistic convention). She was also considered the consort of the god Min, the god of virility.

See also Min.

Ra

Ra was the god of the sun during dynastic Egypt; the name is thought to have meant "creative power", and as a proper name "Creator", similar to English Christian usage of the term "Creator" to signify the "almighty God." Very early in Egyptian history Ra was identified with Horus, who as a hawk or falcon-god represented the loftiness of the skies. Ra is represented either as a hawk- headed man or as a hawk. In order to travel through the waters of Heaven and the Underworld, Ra was depicted as traveling in a boat.

During dynastic Egypt Ra's cult center was Annu (Hebrew "On", Greek
"Heliopolis", modern-day "Cairo"). In Dynasty V, the first king, Userkaf, was also Ra's high priest, and he added the term Sa-Ra ("Son of Ra") to the titulary of the pharaohs.

Ra was father of Shu and Tefnut, grandfather of Nut and Geb, great-grandfather of Osiris, Set, Isis, and Nephthys, and great-great-grandfather to Horus. In later periods (about Dynasty 18 on) Osiris and Isis superseded him in popularity, but he remained Ra netjer-aa neb-pet ("Ra, the great God, Lord of Heaven") whether worshiped in his own right or, in later times, as one aspect of the Lord of the Universe, Amen-Ra.

See also Amen-Ra, Horus.

Ra-Horakhty

(Ra-Hoor-Khuit)

"Ra, who is Horus of the Horizons." An appellation of Ra, identifying him with Horus, showing the two as manifestations of the singular Solar Force. The spelling "Ra-Hoor-Khuit" was popularized by Aleister Crowley, first in the Book of the Law (Liber AL vel Legis).

See also Horus, Ra.

Sati

The goddess of Elephantine, and the consort of Khnum. Together with their companion Anuket, dispenser of cool water. Represented with human head, the crown of Upper Egypt, and the horns of gazelles.

See also Anuket, Khnum.

Seker

A god of light, protector of the spirits of the dead passing through the Underworld en route to the afterlife. Seker was worshiped in Memphis as a form of Ptah or as part of the compound deities Ptah-seker or Ptah-seker-ausar. Seker was usually depicted as having the head of a hawk, and shrouded as a mummy, similar to Ptah.

See also Ptah.

Sekhmet

A lioness-goddess, worshiped in Memphis as the wife of Ptah; created by Ra from the fire of his eyes as a creature of vengeance to punish mankind for his sins;
later, became a peaceful protectress of the righteous, closely linked with the benevolent Bast.

See also Bast, Ptah.

Selket

(Serqet, Serket)

A scorpion-goddess, shown as a beautiful woman with a scorpion poised on her head; her creature struck death to the wicked, but she was also petitioned to save the lives of innocent people stung by scorpions; she was also viewed as a helper of women in childbirth. She is depicted as binding up demons that would otherwise threaten Ra, and she sent seven of her scorpions to protect Isis from Set.

She was the protectress of Qebehsenuf, the son of Horus who guarded the intestines of the deceased. She was made famous by her statue from Tutankhamen's tomb, which was part of the collection which toured America in the
1970's.

See also Isis.

Serapis

A Ptolemaic period god, devised by the Greeks from Osiris and Apis. Supposedly the consort of Isis, god of the afterlife and fertility. Also physician and helper of distressed worshippers. Never obtained much following from the native Egyptian population. His cult center was Alexandria.

See also Apis, Osiris.

Set

(Seth)

In earliest times, Set was the patron deity of Lower (Northern) Egypt, and represented the fierce storms of the desert whom the Lower Egyptians sought to appease. However, when Upper Egypt conquered Lower Egypt and ushered in the First Dynasty, Set became known as the evil enemy of Horus (Upper Egypt's dynastic god).

Set was the brother of Osiris, Isis, and Nephthys, and husband of the latter;
according to some versions of the myths he is also father of Anubis.

Set is best known for murdering his brother and attempting to kill his nephew Horus; Horus, however, managed to survive and grew up to avenge his father's death by establishing his rule over all Egypt, castrating Set, and casting him out into the lonely desert for all time.

In the 19th Dynasty there began a resurgence of respect for Set, and he was seen as a great god once more, the god who benevolently restrained the forces of the desert and protected Egypt from foreigners.

See also Anubis, Horus, Isis, Nephthys, Osiris.

Shu

The god of the atmosphere and of dry winds, son of Ra, brother and husband of Tefnut, father of Geb and Nut. Represented in hieroglyphs by an ostrich feather (similar to Maat's), which he is usually shown wearing on his head. He is generally shown standing on the recumbent Geb, holding aloft his daughter Nut, separating the two.

The name "Shu" is probably related to the root shu meaning "dry, empty." Shu also seems to be a personification of the sun's light. Shu and Tefnut were also said to be but two halves of one soul, perhaps the earliest recorded example of
"soulmates."

See also Tefnut.

Sobek

The crocodile-god, worshipped at the city of Arsinoe, called Crocodilopolis by the Greeks. Sobek was worshipped to appease him and his animals. According to some evidence, Sobek was considered a fourfold deity who represented the four elemental gods (Ra of fire, Shu of air, Geb of earth, and Osiris of water). In the Book of the Dead, Sobek assists in the birth of Horus; he fetches Isis and Nephthys to protect the deceased; and he aids in the destruction of Set.

Sothis

Feminine Egyptian name for the star Sirius, which very early meshed with Isis (being the consort of Sahu-Osiris, which was Orion). Also associated with Hathor.

See also Hathor, Isis.

Tefnut

The goddess of moisture and clouds, daughter of Ra, sister and wife of Shu, mother of Geb and Nut. Depicted as a woman with the head of a lioness, which was her sacred animal. The name "Tefnut" probably derives from the root teftef, signifying "to spit, to moisten" and the root nu meaning "waters, sky."

See also Shu.

Thoth

(Tahuti)

The god of wisdom, Thoth was said to be self-created at the beginning of time, along with his consort Maat (truth), or perhaps created by Ra. At Hermopolis it was said that from Thoth were produced eight children, of which the most important was Amen, "the hidden one", who was worshiped in Thebes as the Lord of the Universe. The name "Thoth" is the Greek corruption of the original Egyptian Tahuti. Thoth was depicted as a man with the head of an ibis bird, and carried a pen and scrolls upon which he recorded all things. He was shown as attendant in almost all major scenes involving the gods, but especially at the judgement of the deceased. He served as the messenger of the gods, and was thus equated by the Greeks with Hermes.

Thoth served in Osirian myths as the vizier (chief advisor and minister) of Osiris. He, like Khons, is a god of the moon, and is also the god of time, magic, and writing. He was considered the inventor of the hieroglyphs.

See also Amen, Maat.

Thoueris

(Ta-urt)

A hippopotamus goddess, responsible for fertility and protecting women in childbirth. Partner of Bes.

See also Bes.

Goddess Artemis

Posted by Unknown

Sometimes "No" means No and not Maybe. Artemis was adamant that She could never be seen by a man, even by male worshippers. The penalty for glimpsing Her was death. The daughter of Leto and Zeus, and twin sister of Apollo. Artemis is the goddess of the wilderness, the hunt and wild animals, and fertility (she became a goddess of fertility and childbirth mainly in cities). She was often depicted with the crescent of the moon above her forehead and was sometimes identified with Selene (goddess of the moon). Artemis was one of the Olympians and a virgin goddess. Her main vocation was to roam mountain forests and uncultivated land with her nymphs in attendance hunting for lions, panthers, hinds and stags. Contradictory to the later, she helped in protecting and seeing to their well-being, also their safety and reproduction. She was armed with a bow and arrows which were made by Hephaestus and the Cyclopes.

The hunter Actaeon discovered the Goddess bathing naked in a stream. Accounts differ as to whether he meant to ogle Her or simply came upon Her by accident. With a single word and gesture, the enraged Goddess turned him into a stag. His own hounds tore him to pieces while She watched.

Artemis loved to kill the very forest animals She also protected; like many another Goddess, She not only protected life but took it away. With Her nymphs and hounds She hunted in the deepest wilderness, slaughtering stags and lions.

In one legend, Artemis was born one day before her brother Apollo. Her mother gave birth to her on the island of Ortygia, then, almost immediately after her birth, she helped her mother to cross the straits over to Delos, where she then delivered Apollo. This was the beginning of her role as guardian of young children and matron of women in childbirth. Being a goddess of contradictions, she was the protectress of women in labor, but it was said that the arrows of Artemis brought them sudden death while giving birth. As was her brother, Apollo, Artemis was a divinity of healing, but also brought and spread diseases such as leprosy, rabies and even gout.

Being associated with chastity, Artemis at an early age (in one legend she was three years old) asked her father, the great god Zeus, to grant her eternal virginity. Also, all her companions were virgins. Artemis was very protective of her purity, and gave grave punishment to any man who attempted to dishonor her in any form. Actaeon, while out hunting, accidentally came upon Artemis and her nymphs, who bathing naked in a secluded pool. Seeing them in all their naked beauty, the stunned Actaeon stopped and gazed at them, but when Artemis saw him ogling them, she transformed him into a stag. Then, incensed with disgust, she set his own hounds upon him. They chased and killed what they thought was another stag, but it was their master. As with Orion, a giant and a great hunter, there are several legends which tell of his death, one involving Artemis. It is said that he tried to rape the virgin goddess, so killed him with her bow and arrows. Another says she conjured up a scorpion which killed Orion and his dog. Orion became a constellation in the night sky, and his dog became Sirius, the dog star. Yet another version says it was the scorpion which stung him and was transformed into the constellation with Orion, the later being Scorpio. Artemis was enraged when one of her nymphs, Callisto, allowed Zeus to seduce her, but the great god approached her in one of his guises; he came in the form of Artemis. The young nymph was unwittingly tricked, and she gave birth to Arcas, the ancestor of the Arcadians, but Artemis showed no mercy and changed her into a bear. She then shot and killed her. As Orion, she was sent up to the heavens, and became the constellation of the Great Bear (which is also known as the Plough).

"The summits of the high mountains tremble, and the shady forest holds the frightened cries of the beasts of the woods; the earth trembles, as well as the seas, filled with fish. The goddess of the valiant heart springs forth on all sides, and sows death among the race of wild animals."-- "To Artemis (II)," The Homeric Hymns, translation by Apostolos N.Athannassakis

She was even associated with human sacrifice. Euripides wrote two versions of the sacrifice of the maiden Iphigenia, placing it in comfortably distant times. In one version, Iphigenia went gladly to her death; in the other, she did not. As the sacrificial knife plunged toward her, she vanished, and a mountain deer appeared on the altar and was stabbed in her place. Then she was transported to a mystic island of women, who sacrificed all men who came upon its shores, and lived out her life there.

There were festivals in honor of Artemis, such as the Brauronia, which was held in Brauron; and the festival of Artemis Orthia, held at Sparta, when young Spartan boys would try to steal cheeses from the altar. As they tried they would be whipped, the meaning of Orthia and the nature of the ritual whipping has been lost and there is no logical explanation or translation. Among the epithets given to Artemis are: Potnia Theron (mistress of wild animals) this title was mentioned by the great poet Homer; Kourotrophos (nurse of youth's); Locheia (helper in childbirth); Agrotera (huntress); and Cynthia (taken from her birthplace on Mount Cynthus on Delos). When young girls reached puberty they were initiated into her cult, but when they decided to marry, which Artemis was not against, they were asked to lay in front of the altar all the paraphernalia of their virginity, toys, dolls and locks of their hair, they then left the domain of the virgin goddess.

Artemis was worshiped in most Greek cities but only as a secondary deity. However, to the Greeks in Asia Minor (modern day Turkey) she was a prominent deity. In Ephesus, a principal city of Asia Minor, a great temple was built in her honor, which became one of the "Seven Wonders of the Ancient World". But at Ephesus she was worshiped mainly as a fertility goddess, and was identified with Cybele the mother goddess of eastern lands. The cult statues of the Ephesian Artemis differ greatly from those of mainland Greece, whereas she is depicted as a huntress with her bow and arrows. Those found at Ephesus show her in the eastern style, standing erect with numerous nodes on her chest. There have been many theories as to what they represent. Some say they are breasts, others that they are bulls testes which were sacrificed to her. Which is the true interpretation remains uncertain, but each represent fertility.

Women in labor might pray to Her for death, and She often answered such prayers. The deaths of adolescent girls in childbirth were attributed to Her.

Beliefs Of Goddess Worship

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Christianity teaches that God is transcendent, is separate from nature, and is represented to humankind through masculine imagery. Witchcraft holds a pantheistic view of God. God is nature, therefore God is in all things and all things are a part of God. However, this God is in actuality a goddess.

A fundamental belief in Goddess Worship is the idea that the goddess predates the male God. The goddess is the giver of all life and is found in all of creation. The importance of the Goddess symbol for women cannot be overstressed.
The image of the Goddess inspires women to see ourselves as divine, our bodies as sacred, the changing phases of our lives as holy, our aggression as healthy, and our anger as purifying. Through the Goddess, we can discover our strength, enlighten our minds, own our bodies, and celebrate our emotions.

The modern Goddess movement is an attempt to integrate the feminine back into the world as we know it. This means bringing the Goddess out of the shadows and back into the limelight where she belongs. Part of most modern Goddess traditions is the idea that Goddess exists within and around everything in creation. Therefore, if Goddess is sacred, then so is the Earth, so our bodies, etc. Moreover, the relationship between all of these things is equally sacred.
Therefore, not only do we need to revere the creations of the Goddess, we must revere the relationship and the systems that Goddess has created, for they each have their purpose. The problem is that we don't always know what the true system is anymore because our society is so corrupted by the patriarchy. For example, if we only examine the system as it exists today, we might come to the conclusion that women's place within the system is necessarily subservient to the men in the system. Naturally, eco-feminists would laugh at this idea. First of all, eco-feminism maintains that the natural order of things is not linked by hierarchical value, so the very notion of men governing women is absurd. The nature of things would require reciprocal communication and integral networking.

In light of this, then, Goddess religion asserts that Goddess and God cannot be viewed separately, but rather as a network of energies that work together to better the entire network.

Goddess Archetypes:

THE MAIDEN
The Maiden is the first aspect of the Goddess, presented to us as a young woman, blossoming into womanhood, exploring her sexuality and learning of her beauty.
She is most often depicted as a teenaged girl or a woman in her very early twenties.

Unlike the images of young women in many patrifocal religions, the Maiden is not necessarily depicted as a virgin in most Goddess traditions. In Catholicism, Mary is depicted not only as a virgin maiden, but continues to be a virgin throughout the duration of her lifetime, regardless of the fact that she was married and gave birth to a child. This has more to do with the taint patrifocal religions assign female sexuality than anything else. But because women's sexuality is not denigrated in Goddess traditions, there is no need to associate virginity with the Maiden Goddess.

In fact, the Maiden Goddess is seen as a particularly sexual being. Because she has just bloomed into her womanly form, she is particularly interested in her body and what it can do. She is interested in her beauty, and she learns to manipulate the affections of other's based upon her feminine wiles.

Some might take offense at my use of the word manipulate in the preceding sentence, but in fact, that is what sexuality is about, both on the part of the male and the female. Flirtation, courting and other manners of getting the attentions of the opposite sex is certainly a form of manipulation. It is not manipulation with malicious intent, to be sure, but when you attempt to curb the attitudes or thoughts of others through your own appearance or behavior, this is a form of manipulation, and by no means negative.

Because the Maiden is associated with the first blossoming of womanhood, adulthood and sexuality, she is associated with the Springtime. Just as her body develops breasts and she becomes sexually capable, so too does the Earth mimic her development. Flowers bloom, the Earth awakens from the deep sleep of winter and begins to procreate again. Animals lie with one another, flowers are pollinated. Spring is a time for new beginnings. It is the counterpart to the winter of Death.

Just as Spring is the counter to Winter, so too is the Maiden the counter to the Crone. The Crone is the embodiment of death, and subsequently rebirth, and it is through the aspect of the Maiden that the Crone is able to pass from this world and be reborn. As the young Goddess delves into her sexuality, and eventually becomes pregnant, the Elder Goddess may pass away and give her life that the Maiden may become Mother, and one day, Crone. The cycle is never ending.

The Maiden takes the Green Man (Horned Lord, many other names in many other cultures) as her consort. In some cultures, the Green Man may be her brother or even her son. At first glance, the courtship between the Maiden and the Sun God seems ripe with incest, because he is always somehow related to her. But if you read the myths associated with the Mother Goddess and how it came to pass that she became pregnant, you will usually find that she became pregnant by her husband, who has to give his life for one reason or another, and she agrees to bring him back into he world as the child in her womb. In essence, she gives birth to her husband, rather than taking her son as her lover. This is even true in the Catholic goddess vision: Jesus was the son of God, but he was also God.
Because this idea is confusing and can lead to ideas of incest much like I discussed above, the Christian church left Mary a virgin, thus bypassing the whole sexual encounter, and thus the issue of incest altogether.

Maiden Goddess of Note include:
Diana, Persephone, Kore, Bleudowedd, Artemis, Ariadne, Hestia,
Athena, Aphrodite, Minerva, and Venus.

THE MOTHER
The aspect of the Mother Goddess is probably the most widely known and most widely envisioned in most cultures. Because the Earth nourishes and replenishes us, most goddess cultures did pay reverence to the Earth as the Mother, and therefore the Goddesses that are most prominent and about whom stories are most prolific are the goddesses that are the representation of the Mother.

She is, in virtually every aspect, a divine or celestial representation of our earthly mothers. Everyone has an earthly mother, or at least did at one point, so we readily understand the relationship between mother and child. The mother is the protector, the care-giver, the kisser of wounds, and the disciplinarian.
The Divine Mother is no different.

Many of the most ancient goddess figures that archeology has uncovered are goddesses depicted as round, pregnant women. They feature large breasts and full, meaty hips. Some archeologists (patriarchal, close minded fellows, to be sure) have written these goddess figures off as nothing more than prehistoric
"porn" figures. However, the generally accepted opinion is that these figures, found in such places as France, modern day Turkey, and Egypt, are actually representations of a mother goddess. There is some speculation that perhaps these figures are not goddesses at all, but rather figures used in fertility rites to enable women to conceive children. This too is a possibility, but when combined with other information that we have (such as other evidence of prehistoric goddess worship, and the fact that the connection between sex and pregnancy was not made until much later than the dates associated with these figures) leads most scholars to believe that these statues are indeed goddess representations.

Although the depiction of the Mother Goddess as a pregnant woman is prominent, she is certainly not always seen that way. The Mother aspect may be seen with small child in tow (most often a boy, who later becomes her consort, as is discussed in the section on the Maiden). This aspect of the Mother Goddess plays on the care-giving, sweet, loving aspect of the Goddess. However, do not be fooled into thinking that the Goddess as Mother is a pussy cat. She can also be a warrior.

Like earthly mothers, the Goddess is fiercely protective of her children, and in order to provide that protection she will often don the face of the warrior. The Warrior Goddess most probably gained popularity among people who had begun to adopt a more patriarchal (or at least patrifocal) structure. It might be presumptuous to say that matrifocal cultures were not particularly warlike, but it is safe to say that patriarchal cultures were more so. In either case, the warrior Goddess did become popular. In this aspect she is Amazon, fierce and strong, and able to take on any man to protect what needs protection.

Just as the maiden is represented by the season of Spring, the Mother aspect is present in Summer. By summer, berries and fruits are ripe, ready for the plucking. Vegetable gardens are mature and harvest is close at hand. The sun is high in the sky, and even though the sun is typically seen as a Male Deity, some cultures did associate the sun with the Goddess, (most notably the early Egyptian culture) and thus the high sun of summer was associated with the Mother, who was also seen as the pinnacle of the cycle of life.

In western traditions, the Goddess remains pregnant until the Winter Solstice, at which time she gives birth to a sun god of some kind. (Note the adaptation of the Christian church …Christmas, anyone?) The Catholic Goddess Mary also falls into the category of the Mother Goddess, because she does give birth to King at Solstice. (At least this is how the Christians celebrate the holiday, even though biblical scholars suggest Jesus was very likely born during a warm month)

Mary is a curiosity though, because she is a Dual Goddess, and not a Triple Goddess as most multifaceted Goddesses are. She is a maiden because she remains a virgin (and though not all maidens are virgins, all virgin goddesses are maidens), and yet because she gives birth, she is also a Mother. However, there is no reference in the Catholic tradition of Mary as an older woman. Therefore, Mary's development ended with her at the Mother phase.

Mother Goddesses of Note include:
Demeter, Isis, Cerridwyn, Kali, Gaia, Oceana, Brigit, Nuit, Hera,
Selene, Anu, Dana, Arianrhod, and Epona

THE CRONE
The Crone is the final aspect of the Goddess. The Crone is most often depicted as a Grandmother, a SageWoman, or a Midwife. She is the keeper of Occult Knowledge, the Mysteries and the Queen of the Underworld. It is through the Crone that knowledge of magick, the Dark, and other secrets of the ages are passed down.

The Crone is, in some ways, a Triple Goddess herself. She has lived through the tender, sensual age of Maidenhood, suffered the birth pains of Motherhood, and now carries with her the memories of these passages into her old age. But though she has experienced these events, these are not the things she represents, and therefore she is not revered for these traits. Nevertheless, having endured these experiences makes her the wise woman that she is, and enables her to guide us through the dark.

Her role as Midwife is both symbolic as well as actual. Traditionally, it is always the older women of the tribe who facilitate the birth of children, most likely because they themselves had gone through, but also because the role of midwife was a sacred position, and thus suitable for an older tribeswoman.
Certainly the Crone fulfills this aspect in that she is the midwife to the Queen of Heaven when she gives birth to the Oak King at Yule.

But symbolically she is the midwife in our lives as well, guiding us from one phase of life to the next. If you see progression from one phase of life to the next and can see it as a rebirth process, then envision the Crone as the aspect of the goddess that guides you through that time. Transition is very difficult, and for most people it is a time of darkness. It is a time where we have to rely on our intuition, because we are unfamiliar with the territory. But according to the myths and ancient lore, we receive our intuition from the Crone. It is she who guides us, and it is she who facilitates our birth.

The Crone Goddess is often times the least seen, because she does represent death, and with death comes fear: fear of the unknown, fear of losing our loved ones, and fear of being alone. But we must remember that with death always comes rebirth. The Crone always brings with her promises of the Maiden, and the cycle never ends.

The Mother aspect of the Goddess is discussed as being a Warrior Goddess, but the Crone can be a Warrior Goddess as well. Where the Mother Goddess is the blood of battle, the War Cry incarnate, the fighting Amazon, the Crone is the Strategy, the ability to see what cannot be seen. She is the seer, the General.
The Crone Goddess does not don the face of the warrior to shed blood, but she will provide the courage to walk through the dark, the ability to seek and destroy the enemy, whether the enemy is actual, or internal.

In many respects, the Crone Goddess is the aspect of the Goddess that is most called upon to conquer inner demons. This is due to the fact that as the keeper of mysteries, the Crone is also the Keeper of the Underworld. With her help, we are able to travel into the Underworld and fight whatever demons haunt us.
Likewise, once we are ready to be reborn, she again acts as the midwife and guides us once again into the light.

Crone Goddesses of Note include:
Hecate, Kali, Cerridwyn, Badb, Cailleach, Macha, and the Morrigan

written by susan lucas

Keywords: goddess isis hades underworld goddess hera moon inanna goddess hera goddess hecate goddess artemis goddess brigid medieval byzantine magical values frequently questions shin resh memoriae writings secrets

Goddesses and Gods

Kagutsuchi Aka Homosubi

Egyptian Gods And Goddesses

Goddess Artemis

Beliefs Of Goddess Worship

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